The legacy of Frankenstein’s monster collides with the sociopolitical tensions of the present-day United States.
There is something mesmerizing in a retelling that captures the essences of an original property while elevating it to the modern zeitgeist. Victor LaValle’s Destroyer, a graphic novel written in collaboration with illustrator Dietrich Smith, is such a piece.
Following Dr. barker, a brilliant scientist propelled forward by the loss of her son Akai to police violence, Destroyer is an examination of the grief that white supremacy creates, and the turmoil that is in turn born from that grief. It is, when applied, a force to be reckoned with, and when left to fester it is unpredictable and destructive—but rarely is the harm ever truly healed or the source eliminated. Through the lens of Frankenstein, Destroyer unmakes the original Frankenstein mythos and reevaluates it in a way that makes creation stem less from individual hubris and something more akin to desperation. When everything that Dr. Barker loves is dismantled, she takes it in her own hands to rebuild, reclaim, and ultimately repurpose her suffering.
Reading Rivers Solomon is a visceral experience—one that I’m still reeling from having read their novella The Deep and their short story Prudent Girls for the Decameron Project.
So it’s no surprise upon seeing they’ve written horror alongside their impressive SFF track record, I immediately gravitated toward Blood is Another Word for Hunger, a short story that trails in the aftermath of Sully’s murder of her mistress and her mistress’ children when they learn of her master’s death. From murder comes new life, quite literally when Sully rapidly becomes pregnant and subsequently gives birth, a new being reborn for every person she’s killed and will come to kill.
On the heels of doing research for my list of 50+ Black horror authors, I’ve found several titles that I’m howling at the moon for this Horror Season. Black writers are often not thought of when we speak of genre fiction, but it’s past time to put a stake in that idea and lay it to eternal rest. So, lets take a look at some books that I want to send chills down my spine.
October has hit the calendar, and for many of us, that means scary reads, chilly nights, and the warmth of pumpkin drinks to keep our bones from rattling.
Now, I’m not one for pumpkin drinks (the seasonal sacrilege, I know) but I do know a thing or two about getting into the Halloween Spirit. This little scribble is going to be about the reads of the season and some thoughts about October’s spooky plans.
Welcome back fellow readers. Today, we’ve got a fun (belated) look at last month’s Popculture Readathon, a 90’s movie inspired readathon that was hosted by Whitney from Bookswhitme and Lorryn from Readingparental There were four bingo boards and choose from, of which could read prompts from one, multiple, or all to eventually get bingo.
Now, my track record for readathons has been mentioned before. I historically don’t manage to finish them out (the curse of being a perpetual mood reader.) So… How did I fare? Did I hit bingo? Black out the board?
Happy Monday, Readers. Welcome to the first Weekday Scribbles post—a casual look at what we’re reading, some one-off thoughts and commentary on book-world happenings, and chatter about interesting bookish discoveries. This last week I’ve been branching out my reading, finding new favorites, and enjoying browsing through some other creative, bookish content that merits sharing.
We’re getting back in the swing of things here at Fine Point Scribbles, and that includes delving into ARCs and review copies. While I’m reading for the PopCulture Readathon throughout the month, there’s also a few other recent books I’ve been sent to review, that I’ll be giving my thoughts on and that you might be interested in, too.
So, if you’ve been following me for any length of time, you know I do not do readathons. Historically I’ve never finished one out, and as a chronic mood reader, readathons—long, short, and in between—have been the bane of my blogging existence. I also have a bit of a rebel streak when it comes to what feels like required reading, and regardless of the structure of most readathons, my brain always defaults to ‘nope, not gonna do it.’
However, as a 90’s kid who’s easily susceptible to nostalgia, I would only be doing myself a disservice for not participating in the PopCulture Readathon. Hosted by Whitney (a damn delight on the TL with her reading live Tweets and overall Book Badass) and Lorryn (sweetest of beans and co-founder of the Pages & Prose Book Club) the PopCulture Readathon brings together a love of iconic 90’s movies, bingo boards, and books. Featuring four themed boards, of which you can read the prompts from one, some, or all, it makes for a good excuse to reconnect with some old faves while trekking through those July TBRs.
Twitter is my main platform, and the one thus far that I’ve been using to find and share resources and speak out about the racial injustices that not only lead to the death of George Floyd, but the deaths of hundreds of other Black lives at the hands of police. However, not speaking here, especially if I’m going to continue to use this blog as a place to talk about books and eventually be visible as a writer myself, is irresponsible at best and negligent at worst, and only furthering harm through silence, complacency, and a lack of self-awareness regardless of the visibility of this platform versus the visibility of others that I use.
Black lives matter. This is a statement that shouldn’t be controversial, but apparently, in the book community, it is. Simply Tweeting the phrase, sharing a picture to Instagram, with even the faint hint that you think Black people shouldn’t be killed for existing is deemed political, rocking the boat, and too much of a break from our escapist platforms to ignore the conformity and say something. When this is pointed out, largely by Black people within the book community who have faced racism not only in ‘the real world,’ but in the online spaces that are supposed to be safe and welcome them, Black people have been met with tears, anger, and excuses. Black people have been called bullies. Black people have been labeled aggressors.
All the things the boy will do, I promise to do better. In all the ways he can love you, I promise to love you better.
Ijeoma is eleven years old when the Nigerian Civil War breaks out. Eleven, when her father dies in the subsequent bombings that ravage her Igbo village. Eleven, when her mother sends her away to live with a grammar school teacher and his barren wife—whether for Ijeoma’s safety or out of the grief her mother has yet to cope with, Ijeoma herself cannot say. And she is eleven, living at the grammar school teacher’s, cleaning up and tending his home, when Ijeoma first finds love in the young Hausa girl that comes to live with them.
Under the Udala Trees is a subtle, slow burn that pays off emotionally in every conceivable way. From the onset of the Nigerian Civil War to Under the Udala Trees’ quiet and satisfying ending, we are dropped into and left to ruminate on Ijeoma’s world where the expectations of an only child—a girl child, at that—are monumental and the future she sees for herself as an independent woman freely living with her female lover, is inherently antithetical to how those around her would see her: dutiful student, dutiful daughter, dutiful Christian, dutifully working her way to being an equally dutiful wife. The constant push and pull of these warring ideas creates a beautifully, sometimes painfully, layered experience.
“About 1 in 1,000 black men and boys in America can expect to die at the hands of police… That makes them 2.5 times more likely than white men and boys to die during an encounter with cops.”
The above statistic is an opening line in a report run by the LA Times in August of 2019, detailing the realities of police violence against communities of color, particularly against black boys and men. This statistic is just a number to many young Americans but a dangerous reality for black and brown boys living in the United States.
Justyce, a soon-to-be graduate and honor roll student, lives this reality in Nic Stone’s Dear Martin, a book that explores what it means to be a young man forced grapple with and question how not only authority figures see him and boys like him, but how his peers see him, too.
This self-perception is tested from the moment Dear Martin begins—a simple attempt at helping his currently drunk and bumbling ex-girlfriend get home safely turning into a violent and unprovoked encounter with a police officer. This encounter, a first for Justyce, springboards vivid political discussions in his debate classes, with his peers, even the adults in his life, and leads to one escalation after another that leaves Justyce questioning his own humanity, and questioning whether or not it even matters when others’ judgement can mean the difference between life and death?
Are you not magnificent? Or you will be, one day. But first, you must earn your beauty.
N.K. Jemisin’s entry into the Forward Series—a series of short stories featuring noted SFF authors—is, in a word, masterful, seeking to answer the titillating question of what would happen if Earth got to the point that it was truly uninhabitable? If, in a last-ditch effort to save humanity, the elite, the best, left, taking themselves to the stars to start anew?
This premise is not one that is new in speculative fiction. It is not even outside the realm of reality, when we have men like Elon Musk existing in our timeline, and the notion of colonizing nearby planets like Mars isn’t entirely novel. Space is, after all, the final frontier, and humanity is ever seeking to expand beyond the natural boundaries given to it.